WWC member Amanda Briggs fancied a trip to the seaside for her birthday – and maybe a dip in the sea, too – even though it was January. So she did. And had a fish and chip lunch at the Coastguard cafe. And wrote this poem, the second piece of work in our seasonal showcase series.

WHAT’S WRONG WITH HAYLING ISLAND?

by Amanda Briggs

Lying between Portsmouth’s spinnakered skyline

and the broad sweep of the Witterings

separated by ruthless rip currents and fast rising rides,

the brand-new four-by-four owners and city dwellers

pass by and ignore

its faded low-level buildings, bungalows and caravans

dismissed to musty smells of neglect, and faded lino floors.

***

A stark January day.

Glassy sea, surprisingly un-grey

pure and serene stilled by the cold,

unpolluted by inflatables and children’s pee.

Container ships slide silently across the eyeline,

watched by those wandering along the water’s edge.

***

Three miles of gently sloping shingle and sand

dissolve into a clear sea.

No thigh-crushing wading needed;

the perfect angle for dipping or plunging,

low tide or high.

Flint pebbles smoothed, sorted and graded

by tidy lines of groynes dividing with geometric symmetry.

***

A step back to the edge of the shoreline

where bramble mounds meet dried seaweed and driftwood.

Sparrows, wagtails and goldfinches huddle and chatter

rising and falling in brief flight, in a collective sigh.

Gulls and jackdaws vie for supremacy

of the beach hut roofs, only leaving for

sporadic skirmishes over styrofoamed fish and chip remains.

***

Funland:

flashes of light and muted sound

from a penny arcade.

Rollercoasters sit frozen still,

metal twisted with cold and fatigue.

A scene from a zombie horror movie.

Dull, drab and derelict; not a living body in sight.

***

Unglamourous, old-fashioned

shabby without chic

boarded up seafront pubs and flats knocked up on the cheap,

memories of when flares were in fashion

protect it from the property developers

with intentions to turn it into

Miami Beach or the Riviera.

***

What’s wrong is what keeps it right.

PHOTOGRAPHS: AMANDA BRIGGS